Bear Grylls: Extreme Survival Caught On Camera
A full broadcast graphics package for Bear Grylls: Extreme Survival Caught on Camera, creating a more distinctive on-screen identity across titles, lower thirds, breakdowns and themed episodic graphics.
Work
A full broadcast graphics package for Bear Grylls: Extreme Survival Caught on Camera, creating a more distinctive on-screen identity across titles, lower thirds, breakdowns and themed episodic graphics.
Online post-production for Temples’ Colours To Life, combining keying, compositing and grade refinement to integrate live-action footage with animated plates.
Broadcast identity for the 2013 BAFTA Television Craft Awards, reconstructing the BAFTA mask from over one million TV and production-related elements in a cinematic celebration of behind-the-scenes craft.
A large-scale BAFTA mask installation for the Royal Opera House, adapting an earlier motion visual into a million-particle artwork for the 2013 EE BAFTA Film Awards.
Post-production VFX for Manga & Wiley ft. Lilly McKenzie’s Time, compositing over 350 shots into a flip-clock structure that drove both the transitions and the edit.
Animated and still graphics for easyJet’s Fearless Flyer programme, created to support a clear, reassuring visual experience across confidential event materials.
A reimagined motion identity for BAFTA, developed from a full 3D scan of the iconic mask and delivered across broadcast, social and digital platforms in multiple formats.
Graphics for BAFTA’s annual Film Awards cinematic trailer, supporting the national campaign and building anticipation for the ceremony.
A motion identity for BAFTA’s 2011 Brits to Watch event in Los Angeles, built around a 3D BAFTA mask, category stings and supporting broadcast graphics.
Brand identity for BAFTA’s A Life in Pictures series, creating a glitter-inspired visual system across animation, set design and print.
Art direction, VFX supervision and in-promo graphics for the 2011 BAFTA Film Awards cinema promo.