New Yorker Beer
Animated brand assets for the launch of New Yorker, including logo animations, social campaign videos and motion graphics for trade stands and exhibitions.
Work
Animated brand assets for the launch of New Yorker, including logo animations, social campaign videos and motion graphics for trade stands and exhibitions.
Motion design and EPK graphics package for T2: Trainspotting, developed with Special Treats Productions across title stings, lower thirds and social assets.
Motion graphics for Elton John: The Cut, a global creative campaign celebrating Elton John and Bernie Taupin’s songwriting legacy while spotlighting emerging filmmaking talent.
Invisible VFX, object removal and set extension work for Hilow Films, involving detailed tracking, rotoscoping and post-production clean-up.
Typographic animation and supporting campaign graphics for Stand Up To Cancer, created with Howl Films for Channel 4 and Cancer Research UK.
Title stings for Maybelline’s YouTube social content, designed to bring fashion, creativity and a distinct New York energy to the series.
Editorial advertisement design for Steven Tai Studio, created for high-fashion publications including Deux Hommes through a bold, colour-led visual approach.
Broadcast identity and motion graphics package for the BAFTA Television Craft Awards, built around a low-poly BAFTA mask and a refined flat graphic system.
Compositing and grade work for Noisebox Films, integrating fan-made videos into a stylised fake screen treatment with analogue TV noise and texture.
A fluid ink-based title sting for Elton John’s Wonderful Crazy Night, created to bring the album’s expressive artwork into motion across a series of promo films.
Graphic overlay package for the 2015 repack of Take That’s III, extending the album artwork into motion across live, studio and behind-the-scenes footage.
Title sting and graphics package for ESPN’s Sachin Tendulkar documentary, using parallax animation and archive imagery to create a cinematic opening and cohesive on-screen identity.
Subtle VFX clean-up and finishing work for Coca-Cola’s Happiness, Bottled, refining a series of shots for the final online film.
A high-energy campaign edit for JD Sports’ 2014 Spring/Summer promo, combining chroma-shot performance footage, bold compositing and animated typographic interventions.
A refined infographic system for Somerset House’s virtual site tour, using typography and brand-led design to communicate complex venue information with clarity and restraint.
A hybrid lyric and behind-the-scenes video for Take That’s Let In The Sun, using restrained typography and compositing to integrate lyrics seamlessly into the footage.