Beefeater Gin – Always-On Social Content
A large-scale body of always-on social work for Beefeater, spanning evergreen content, reactive campaigns and motion-led assets created with Thumbstoppers across the brand’s primary channels.
Work
A large-scale body of always-on social work for Beefeater, spanning evergreen content, reactive campaigns and motion-led assets created with Thumbstoppers across the brand’s primary channels.
Large-scale motion design, rotoscoping and compositing for YouTube Originals’ Hello 2021, blending live performance with illustrated graphic treatments across a major multi-asset event rollout.
A refreshed identity and website for Making Productions, built around a bold, colourful brand system shaped by their work across theatre, broadcast and LGBTQ+ culture.
Visual identity and motion toolkit for a Netflix virtual press series, built around animated key art and character-led interview graphics.
Graphics package for a documentary on Daniel Craig’s James Bond era, combining reconstructed press materials and animated breakdowns to support a more in-depth behind-the-scenes narrative.
Campaign design for Opera Undone, combining 3D environments, fabric-led key art and motion assets to create a distinctive launch identity.
Key artwork, motion and campaign assets for the 2020 production of Coming Clean, developed into a wider visual rollout across social and advertising.
Graphics and title sequences for A Billion Chinese Dreams, developed for Channel NewsAsia as part of a cohesive visual package spanning in-programme assets, bumpers and trailer slates.
A playful animated featurette for Netflix’s Sex Education, using hand-drawn motion and graphic elements to introduce the show’s characters and storylines.
A complementary graphics package for HBO’s Isle of Dogs special, extending the film’s distinctive visual language across interstitials, stings and lower thirds.
A cinematic motion ident for the 2018 BAFTA Film Awards, built around diamond-inspired reflections, a retextured 3D BAFTA mask and a refined sense of screen-led prestige.
Animations, branding and box set illustrations for Elton John’s Diamonds, created with Noisebox Films as part of the album’s launch campaign.
Wireframe lyric promo for ADP’s No Good For Me, combining stylised 3D forms, animated typography and kaleidoscopic motion for Universal Music.
Character animation and campaign graphics for Netflix’s Suburra: Blood on Rome, developed from early concepts through to final promotional assets.
Animated brand assets for the launch of New Yorker, including logo animations, social campaign videos and motion graphics for trade stands and exhibitions.
Motion design and EPK graphics package for T2: Trainspotting, developed with Special Treats Productions across title stings, lower thirds and social assets.