BAFTA Film Awards Ident
A cinematic motion ident for the 2018 BAFTA Film Awards, built around diamond-inspired reflections, a retextured 3D BAFTA mask and a refined sense of screen-led prestige.
Work
A cinematic motion ident for the 2018 BAFTA Film Awards, built around diamond-inspired reflections, a retextured 3D BAFTA mask and a refined sense of screen-led prestige.
Animations, branding and box set illustrations for Elton John’s Diamonds, created with Noisebox Films as part of the album’s launch campaign.
Wireframe lyric promo for ADP’s No Good For Me, combining stylised 3D forms, animated typography and kaleidoscopic motion for Universal Music.
Animated brand assets for the launch of New Yorker, including logo animations, social campaign videos and motion graphics for trade stands and exhibitions.
Motion graphics for Elton John: The Cut, a global creative campaign celebrating Elton John and Bernie Taupin’s songwriting legacy while spotlighting emerging filmmaking talent.
Invisible VFX, object removal and set extension work for Hilow Films, involving detailed tracking, rotoscoping and post-production clean-up.
Typographic animation and supporting campaign graphics for Stand Up To Cancer, created with Howl Films for Channel 4 and Cancer Research UK.
Title stings for Maybelline’s YouTube social content, designed to bring fashion, creativity and a distinct New York energy to the series.
Editorial advertisement design for Steven Tai Studio, created for high-fashion publications including Deux Hommes through a bold, colour-led visual approach.
Broadcast identity and motion graphics package for the BAFTA Television Craft Awards, built around a low-poly BAFTA mask and a refined flat graphic system.
A fluid ink-based title sting for Elton John’s Wonderful Crazy Night, created to bring the album’s expressive artwork into motion across a series of promo films.
Graphic overlay package for the 2015 repack of Take That’s III, extending the album artwork into motion across live, studio and behind-the-scenes footage.
Subtle VFX clean-up and finishing work for Coca-Cola’s Happiness, Bottled, refining a series of shots for the final online film.
A high-energy campaign edit for JD Sports’ 2014 Spring/Summer promo, combining chroma-shot performance footage, bold compositing and animated typographic interventions.
A refined infographic system for Somerset House’s virtual site tour, using typography and brand-led design to communicate complex venue information with clarity and restraint.
A full broadcast graphics package for Bear Grylls: Extreme Survival Caught on Camera, creating a more distinctive on-screen identity across titles, lower thirds, breakdowns and themed episodic graphics.