Netflix – Suburra
Character animation and campaign graphics for Netflix’s Suburra: Blood on Rome, developed from early concepts through to final promotional assets.
Work
A SELECTION. AND THEN SOME.
The Bodyshop Christmas Campaign
Invisible VFX, object removal and set extension work for Hilow Films, involving detailed tracking, rotoscoping and post-production clean-up.
Stand Up To Cancer
Typographic animation and supporting campaign graphics for Stand Up To Cancer, created with Howl Films for Channel 4 and Cancer Research UK.
BAFTA Television Craft Awards 2016
Broadcast identity and motion graphics package for the BAFTA Television Craft Awards, built around a low-poly BAFTA mask and a refined flat graphic system.
Simple Minds – Let The Day Begin
Compositing and grade work for Noisebox Films, integrating fan-made videos into a stylised fake screen treatment with analogue TV noise and texture.
Elton John – Wonderful Crazy Night
A fluid ink-based title sting for Elton John’s Wonderful Crazy Night, created to bring the album’s expressive artwork into motion across a series of promo films.
Take That – III – Repack TVC
Graphic overlay package for the 2015 repack of Take That’s III, extending the album artwork into motion across live, studio and behind-the-scenes footage.
ESPN: The Little Master
Title sting and graphics package for ESPN’s Sachin Tendulkar documentary, using parallax animation and archive imagery to create a cinematic opening and cohesive on-screen identity.
JD Sports Spring/Summer Campaign
A high-energy campaign edit for JD Sports’ 2014 Spring/Summer promo, combining chroma-shot performance footage, bold compositing and animated typographic interventions.
Take That – Let In The Sun
A hybrid lyric and behind-the-scenes video for Take That’s Let In The Sun, using restrained typography and compositing to integrate lyrics seamlessly into the footage.
Bear Grylls: Extreme Survival Caught On Camera
A full broadcast graphics package for Bear Grylls: Extreme Survival Caught on Camera, creating a more distinctive on-screen identity across titles, lower thirds, breakdowns and themed episodic graphics.
Temples – Colours to Life
Online post-production for Temples’ Colours To Life, combining keying, compositing and grade refinement to integrate live-action footage with animated plates.
BAFTA Television Craft Awards 2013
Broadcast identity for the 2013 BAFTA Television Craft Awards, reconstructing the BAFTA mask from over one million TV and production-related elements in a cinematic celebration of behind-the-scenes craft.
Manga – Time ft. Lilly Mckenzie & Wiley
Post-production VFX for Manga & Wiley ft. Lilly McKenzie’s Time, compositing over 350 shots into a flip-clock structure that drove both the transitions and the edit.
BAFTA Motion Ident
A reimagined motion identity for BAFTA, developed from a full 3D scan of the iconic mask and delivered across broadcast, social and digital platforms in multiple formats.
BAFTA Film Awards 2012 – Trailer
Graphics for BAFTA’s annual Film Awards cinematic trailer, supporting the national campaign and building anticipation for the ceremony.